This paper examines Salman Rushdie’s functional forte in blending history, autobiography and language style into one in his novel Midnight’s Children, taking instances from the novel where the autobiography of a particular character blends with the history of the Nation, this paper shows this novel as a perfect blend of history, autobiography, technique and language style. Thus, this paper picturizes Midnight’s Children as a portrayal of Indianness and historical consciousness in his fictional world.
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